Every day life, when perceived as something that does not have the structure we force upon it, is the most influential piece of art. The Noise Revival Orchestra Experience corral those forgotten emotions, those instances and moments to find their artistic self. Sound, music, noise are all subjective, but for an artist these instruments are muses for the grand picture. And when just the right blend of sound, music, and noise collide the experience is inexplicably magical. For the Noise Revival, these young artists further blur these lines by tapping into a musical stream of consciousness on their debut entitled, To The Seven Churches In The Province Of Asia, in pursuit of that intangible magic.

The latest loose knit line that connects chamber music with orchestral compositions like John Corgliano's Circus Maximus and John Mackey's Red Line Tango, the Noise Revival Orchestra Expereince play music that is spatial, organic, Zen like and blissfully epic.

The Noise Revival Orchestra Experience draw influences from modern classical music’s compositional flow from movement to movement. “Composer John Corigliano's symphony, Circus Maximus, changed music for me”, claims Nathan. Stephen adds, “Compositions like Circus Maximus and Philip Glass makes more sense to us. We aren’t a band, we aren’t musicians, we are composers. And that is our approach creating music.” The importance of every section plays a vital role to the overall piece, and to achieve different movements, the sounds and rhythms are eclectic and experimental. Enamored with mood, compositional structure, atmosphere, and sounds the Noise Revival Ochestra Experience paints a musical canvas of transparent moods, alchemy of emotion and poignant lyrical messages.

Bored with indie pop escapism the band formed around the idea of exploration. An idea that the 10 members of the Noise Revival Orchestra Experience are still developing today.