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Sarah Hickman's Bio:

Sara Hickman grows more influential and masterful with each album. Yet she manages to retain her quick contact with her inner child. Motherlode (2006) is a two disc set that brought out all sorts of Austin elite to act as backup or musicians. Musicians like John Mills, Mitch Watkins and Eddie Hobizal. Backup and harmony vocals from people like Jimmy La Fave, Shawn Colvin, and Kelly Willis. And that's not everyone, just enough names dropped to let you know that Motherlode is all top notch work, starting with Sara Hickman and moving through everyone who worked on these two CDs.

Sara Hickman's large discography expanded into DVD in 2004, with her release of I Am Going on a Journey. This DVD contains six hours of Sara Hickman performances (including Austin City Limits and The Tonight Show), music videos, and photos spanning her career. (Read Virginia's review of I Am Going on a Journey.)

There are at least 14 albums in Hickman's discography, including two made early in her career with a group called Domestic Science Club. Most of her albums are for adults, but she also does children's shows and music and has several albums for kids, including Newborn, Toddler, and Big Kids.

Hickman supports many social causes, and the proceeds from some of her albums go to charity. For example, the proceeds from I Am Going on a Journey benefit the Klein Foundation.

Spiritual Appliances, released in 2000, is considered by many to be her essential recording. The album is optimistic, and hopeful like Hickman herself. Austinwoman recently featured an article about Sara Hickman as the cover story of the magazine. Austinwoman said, ?Hickman's lyrics do reflect an upbeat, positive and, yes, occasionally silly person. She's been told by those in the "biz" that her music isn't dark enough and has been written off by critics as too sweet. But a closer look reveals a woman who's seen her share of the darkness of the human spirit and chooses to focus on the light.?

Sara Hickman is from Houston. Her early years were filled with art. Her father is a painter and her mother is a weaver. Hickman herself, like some other Austin musicians, paints and produces various other types of art in addition to music.

At one point she signed with Elektra Records. While with Elektra, she made Necessary Angels, which Elektra decided not to release. Her fans rallied around and raised the money to buy Necessary Angels from Elektra so it could be released by Sara Hickman. She has worked without a major label since then, but it certainly has not slowed her down.

Michael Bertin, writing the The Austin Chronicle, said, ?her sweet but not sappy voice really sustains her and gives her a kind of grace.?

Visit sarahickman.com for more information.

Her music is available from amazon.com or from CDBaby.

User: hitech

Sarah Hickman's Albums
WOW!
Equal Scary People
The Met - Winter "94 (Texas Music)
MOTHERLODE
Big Kid
Ready To Pop
This Christmas Wish
Faithful Heart


Sarah Hickman Album Editorial:
A modern collection of love songs from Sara Hickman. Some of the songs are originals others are covers but all reflect the true joy passion and love Ms. Hickman wants to convey to you through music. Truly an inspiring timely piece to share with yourself or loved ones.
Toddler


Sarah Hickman Album Editorial:
Sleeveless is Sara Hickmans very own groovy label


Sarah Hickman Album Editorial:
Sara Hickmans spring-loaded IToddler plays like a 2-year-olds trip to the zoo. Whats around the bend is anybodys guess but because each creature is as kooky or adorable or exotic as the one that came before it you can hardly wait to get there. Think of it as a 31-track grab-bag: I Got You Babe its lyrics modified from I got you to wear my ring to I got you to push me on the swing butts up against Storytime with Tish Hinojosa a spoken-word saga of feline demise and rat liberation; the 1930s safety song Remember Your Name Address swings out soberly on the heels of Mr. Kawasaki (the Wok Song) a gastronomic gross-out detailing a stir-fry gone wrong; and a hip-hop take on This Little Light of Mine thumps along in the hands of guest vocalist MC Overlord before this CD shoves off to Hawaii for Pupu Hinuhinu. Interspersed are more spoken-word tracks (someone called Mr. Peppermint takes a turn as do Sara and other friends) old standbys like Freres Jacques and Duke of York and with Waar Is Mijn Dulfje (Where is My Baby Bird) and the Hebrew Hiney Rakavet there are some stabs at toddler world music. Where most CDs that string together snatches of this and that collapse into catchalls--nothing special--IToddler stands steady on its feet buoyed by Hickmans wit spunk and way with a song. Hers is a voice as warm and inviting as a best-loved blanket calling to mind Karen Carpenter in calmer moments and what she chooses to wrap it around will leave moms dads and tots hoping she takes this boringly titled series which started with INewborn all the way past ITween and ICollege Kid to IOld Geezer. Tammy La Gorce
Spiritual Appliances


Sarah Hickman Album Editorial:
For one who has long labored under the shadow of Shawn Colvin and Nanci Griffith Sara Hickman shows little interest in throwing off such comparisons. Her sixth release and first full production effort follows those singer-songwriters pop turns with songs so upbeat and affirmative that they sound like an adult contemporary answer to IChicken Soup for the Soul. Hickman has grown more militantly eclectic with each release tossing in flutes french horns sitars and dijeridoos with kid-in-the-candy-store discrimination and even when she scores a memorable tune--like the jaunty opener Standing Ground--she tends to lose the melody to battle-of-the-band hubris. Moodier numbers like Kerosene (an ode to lust) and Dear Tracey (a wah-wah croon for a lost friend) are more revealing showcases for her sexy phrasing and smart turns-of-phrase. Roy Kasten
Newborn


Sarah Hickman Album Editorial:
Songs for newborn infants


Sarah Hickman Album Editorial:
The liner notes to baby records could be lifted from one jewel case to the next with nary an eye ever batted because they all trot out some form of the same trite message: It doesnt matter what you sing to your baby so long as you sing. Dont count Sara Hickman out--on INewborn (and on the logical successor IToddler) she lets us know from the get-go that my wish was to create an album for parents who have trepidation about singing to their newborns. Still and despite the inclusion of standards like Hush and You Are My Sunshine on this not overly touchy-feely 15-tracker shes concocted something special outdoing her well-intentioned peers by performing originals so repetitive (the soothing Its Alright) or ridiculous (Goops In It about a booger-infested baby peeper) that singing along infant at your side seems right. Hickman wins us over with informality; in effect she hands over her baby monitor letting us listen in on stuff thats spilled spontaneously (and because shes Sara Hickman melodically) from her lips while gazing dopily at her own newborn. Occasionally she can go overboard with the candor--listening to the ballad Lily written for her daughter feels like opening somebody elses love letter--but forgiving her is easy first because by being so open she becomes an instant surrogate friend to isolated new parents; and second because her voice evocative of Karen Carpenter on Lily and of Linda Ronstadt on Its Alright will tame the testiest baby. Its vocal crushed velvet. Give this album to stupefied new moms--by not being overly concerned with making sense it may be the most sensible baby album you can buy. Tammy La Gorce
Two Kinds of Laughter


Sarah Hickman Album Editorial:
Quirky and perky Sara Hickman cooks up a stew with so many ingredients that it threatens to boil over. The title track itself offers thoughtful lyrics a danceable rhythm odd melodic turns and even a funky piano break. Catchy pop hooks accompany tinges of country-rock crunch delicate acoustic guitars and synthesized horn-blaring marches. Vocally Hickman can produce high-pitched squeals as easily as throaty moans. Producer Adrian Belew an eclectic sort himself tries to hold it all together as Hickman intelligently discusses hope and depression and the intricacies of human relationships. The fact that Hickman cant choose between blind optimism and unwarranted cynicism makes for a compelling lyrical theme. Unfortunately she also cant seem to decide on a comfortable musical forum working hard to create vivid moods before jerking you out of them. Marc Greilsamer
Misfits
Equal Scary People
Necessary Angels


Sarah Hickman Album Editorial:
Its an uplifting tale: Artist is dropped by label (Elektra) outraged fans finance the buy-back of unreleased tapes and artist gets a fresh shot while crediting by name those fans (her angels) in the liner notes. A fine songwriter with rather ordinary vocal abilities Hickman shines most brightly on the uptempo Tiger in a Teacup Town and a pair of tunes featuring Adrian Belew and Tony Levin Pursuit of Happiness and Room of Ones Own. Jeff Bateman
Shortstop
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