Aceyalone's Bio:
If scholars scrutinize the brush stroke of a master painter+ Aceyalone deserves the same level of appreciation for his wordplay. Ever since he first emerged with the Freestyle Fellowship+ Acey has arguably shown himself to be the premier West Coast lyricist+ crafting intricate rhyme schemes loaded with brilliant content. He flexes the creativity of a poet with the heart of a braggart+ making him a dangerous opponent in any cipher. That"s not to say that Acey"s perfect--he"s had an uneven track record on LPs. But <I>Accepted Eclectic</I> doesn"t try for the lofty (but ill-executed) concept status of <I>Book of Human Language</I>+ and features more consistent production than his debut <I>All Balls Don"t Bounce</I>. Instead+ Acey sticks to the basics: good rhymes+ good beats+ great songs. He shows unlimited range in topic+ from the reflective and philosophical "Never Knew" to the rapid-fire "B-Boy Real McCoy" to a surprising remake of Ed O.G."s classic "I Got to Have It (Too)"--he doesn"t try to improve on the original (a common mistake among rappers) but instead extends it+ even bringing in Ed O.G. to preserve the lineage. Concepts aside+ it"s still Acey"s gift of gab that"s the draw. His versatility is unparalleled: his words can tap dance their way across a track+ as on "Golden Mic+" or dig deep into it with verbal cleats+ as on "Five Feet." For veteran Acey fans and the uninitiated alike+ "Accepted Eclectic" is a stunning example of how far lyricism can go with its ability to amaze and inspire. <I>--Oliver Wang</I>
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