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Clay Moore Bio:

Jazz guitarist Clay Moore released his first solo album in 1999, Meeting Standards. The album was recorded live and creates a fresh and intimate mood that showcases Moore's clear, crisp stylings and gives listeners a chance to appreciate his deep understanding of the jazz genre.

Meeting Standards includes Brad Evilsizer on drums, Rob Lockart on tenor sax, A.D. Mannion on drums, and Chris Maresh on bass. In a review, Austin Downtown Arts said, "All the songs (on Meeting Standards) were recorded live, giving the performances a direct and expressively intimate sound. Anyone who enjoys jazz guitar will appreciate Moore's clear, ringing tone and wonderful articulation."

In addition to his own Meeting Standards, Moore has recorded with Austin artists Will Taylor (Reel Live) and Pam Hart (May I Come In?).

Moore has played in numerous locales. He lived in Austin from 1984 to 1992, moved away for a while and came back in 1994. In Austin, he has performed with Lee Konitz, Larry Coryell, Tony Campise, Mitch Watkins, Julie Christensen, Alex Coke, Rich Harney, Elias Haslanger, Bob Meyer, James Polk, Brannen Temple, Suzi Stern, Rob Lockart, Hope Morgan, and many others.

He's been a member of saxophonist Tomas Ramirez's group for over ten years. With Ramirez's group, Moore opened for many internationally-known artists including Bill Frisell, Eric Johnson, Spyro Gyra, and Chuck Mangione. You can frequently catch him playing at the Elephant Room and in other jazz venues.

A Texan from Amarillo, Moore grew up in a family immersed in music and listened to a wide variety of live and recorded music. He took some lessons in guitar and completed his education while playing professionally in Tampa, Florida by reading everything in the Tampa libraries and stores that had the word "jazz" in the title.

His jazz education certainly paid off, and he shares much of his expertise with users of his Web site in the form of essays, links and a video of himself giving jazz and fusion guitar lessons.

User: hitech



Clay Moore's Albums
Meeting Standards


Clay Moore Album Review:
Clay Moore Definitely Meets Standards at 2000-02-13
After listening to Mr Moores CD over and over I am thrilled to, once again, feel connected to the music of my youth. Its been a long time since an artist has found an interpretation of these treasured classics that brings a freshness to the arrangements without intruding on the beloved smoothness of these timely works. I can hear the years Mr Moore has spent with these tresures and how he has embraced them with his technical genius.I would recommend this collection to anyone who loves fine jazz guitar and has a fondness for the timelessness of these songs. A real gem that meets all the standards of good artistry and music.


Clay Moore Album Review:
Meeting Standards SETS the Standard! at 1999-12-03
Clay Moore somehow reminds me of all the jazz guitarists I like, without really sounding imitative of any of them. Those who enjoy Pat Martino or Joe Pass will definitely find this recording a treat, but Clay is no knock-off of these greats. His own distinctive musical voice somehow embraces and re-presents what we all love about the great jazz guitarists of the past, but its a fresh voice for today as well. Even the tone simultaneously evokes the gauziness of Barney Kessel or Jim Hall, but closer listening shows its no retread of these greats. And the tunes--theyre standards of the past, but played with drive that somehow never seems to be working so hard that it forgets to have fun. This is one CD that I keep in my player, with the repeat all light going!
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